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Lovers and Lollipops / Weddings and Babies (1956)
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| Starring: | Lori March, Cathy Dunn, Gerald S. O'Loughlin, Bill Ward, Viveca Lindfors, John Myhers, Leonard Elliott, Chiarina Barile, Joanna Merlin, Gabriel Kohn, Mary Faranda |
| Director: | Morris Engel, Ruth Orkin |
| Genre: | Drama, Kids & Family |
| Year: | 1956 |
| Studio: | Kino Video |
| Length: | 163 minutes |
| Released: | May 6, 2008 |
| Rating: | NR |
| Format: | DVD |
| Misc: | Widescreen, NTSC, Black & White |
| Language: | English(Original Language) |
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SYNOPSIS:
Lovers and Lollipops (1955, 82 min.)
A follow-up to the hugely successful Little Fugitive, Lovers and Lollipops is the enchanting tale of a seven-year-old girl’s reaction to her mom’s new boyfriend.
When an attractive widow begins seeing an old friend, her daughter Peggy (Cathy Dunn) feels their relationship threatened. Though not always intentionally, Peggy responds by thwarting the romance that is blossoming between the two adults.
Shot on location among the landmarks of New York City — the Central Park Zoo, Macy’s Toy Department, the Statue of Liberty and Chinatown — Lovers and Lollipops is a lyrical ode to the resilience of love and the charms of youth.
Weddings and Babies (1958, 81 min.)
A work of artistic finesse and great emotional candor, Morris Engel’s Weddings and Babies is a bittersweet tale of love, hope and sacrifice, staged to perfection amid the sidewalks and storefront apartments of New York’s Little Italy.
Viveca Lindfors stars as Bea, a Swedish-born woman who yearns to begin a family with her photographer boyfriend Al. But the two things to which Al has devoted his career — weddings and babies — are the very things he cannot make room for in his life. The unexpected appearance of Al’s aging mother, evicted from a boarding house, only intensifies his familial confusion, and Bea must decide whether to wait for Al or seek happiness elsewhere.
With its verite visual style and naturalistic performances (owing to Engel’s background as a photojournalist in New York City), Weddings and Babies bore a profound influence on the independent cinema of the 1960’s.
NO BONUS FEATURES
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