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Three on a Match / Female (1932)
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| Starring: | Bette Davis, Warren William, Joan Blondell, Ann Dvorak, Lyle Talbot, Humphrey Bogart, Allen Jenkins, Edward Arnold, Virginia Davis, Anne Shirley, Ruth Chatterton, George Brent, Lois Wilson, Johnny Mack Brown, Ruth Donnelly, Ferdinand Gottschalk, Douglass Dumbrille |
| Director: | Michael Curtiz, Mervyn LeRoy |
| Genre: | Drama, Comedy |
| Year: | 1932 |
| Studio: | Warner Home Video |
| Length: | 123 minutes |
| Released: | March 4, 2008 |
| Rating: | NR |
| Format: | DVD |
| Misc: | NTSC, Black & White |
| Language: | English(Original Language) |
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SYNOPSIS:
Three on a Match (1932, 63 min)
The gangster melodrama, Three on a Match, stars Bette Davis, Joan Blondell and Ann Dvorak as a trio of school chums – Mary, Ruth and Vivian – meeting for a reunion ten years after high school. Director Mervyn LeRoy crams much plot into the 64 minute run time following each of the women’s lives. Mary is now a chorus girl after a stint in reform school; level-headed Ruth has a job as a secretary; and sexy Vivian is on the verge of deserting her wealthy husband Henry Kirkwood and their baby in favor of a glamorous gangster. The film is also noteworthy for the number of future stars making brief appearances, such as Lyle Talbot, Edward Arnold and, in his first gangster role, Humphrey Bogart as “The Mug.”
Female (1933, 60 min)
In director Michael Curtiz's romantic comedy Female, Ruth Chatterton plays Alison Drake, the iron-fisted president of a motorcar company. Alison oversees the daily operations of her male employees with a predatory gaze and frequently exercises her right to engage with them in any way she deems fit. She meets her match in an equally strong-minded new employee, Jim Thorne (George Brent), and the two engage in a smoldering, contentious, sexually charged duel. The action of the film--one of the first to depict a female character turning a man's world to her advantage--feeds on the novelty of presenting a woman as a corporate shark and bedroom hound. Though it's obvious the filmmakers thought they were creating a scenario that would never actually happen, Alison's world-smashing exploits make the bulk of the film (before she begins to question her nontraditional lifestyle) a protofeminist romp. Brent and Chatterton were married at the time they made the film, and the natural chemistry between them is abundantly evident. Curtiz packs the screen with extravagant set design and period detail.
BONUS FEATURE:
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