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Ingrid Bergman - Swedish Film Collection in April

Kino has announced an April 19th street date for Ingrid Bergman - Swedish Film Collection. The three-disc set features three early Bergman films in her native Sweden.

It will retail for 9.95, but is available at ClassicFlix.com for only 9.99. Bonus features are not expected and titles will not be available as singles.


SYNOPSIS:
Today, Ingrid Bergman’s name is synonymous with Hollywood ’s golden age as a three-time Oscar winner and the star of such classics as Casablanca , Gaslight and Notorious. However, before she became a Hollywood legend, Bergman was the star of a series of Swedish films in the 1930s which are being rediscovered as a vital, if long-overlooked period in her singular career.

Intermezzo (1936)
In Intermezzo, Ingrid Bergman plays Anita Hoffman, an aspiring classical pianist who falls in love with a famed – but married – concert violinist. Their passionate affair has deep and unanticipated consequences for them both, and for Anita, it also stirs a crisis of conscience. Intermezzo brought the actress to the attention of producer David O. Selznick, who remade it in Hollywood , again starring Bergman.

A Woman's Face (1938)
In one of the most challenging roles of her early career in Sweden, Bergman plays Anna Holm, whose bitterness over a facial disfigurement leads her to become a blackmailer. However, when one of her victims turns out to be married to a renowned plastic surgeon, Anna is given the opportunity to change her life. A Woman’s Face is a daring and frequently shocking psychological drama.

June Night (1940)
Her last film before moving to Hollywood , June Night features Bergman playing a small-town woman at the center of a sensational crime. When Kerstin Norback (Bergman) is shot and gravely wounded by her lover, the trial causes a public scandal, forcing her to move to Stockholm under an assumed name. There she befriends a group of women and attempts to rebuild her life. In June Night, Bergman gives a bravura performance, prompting one critic to praise that she “establishes herself as an actress belonging to the world elite.”